Our Orchestra
Jose Molina
Concertmaster
Concertmaster
Jose Molina made his solo debut with the East Symphony, in his native Philippines, at the age of 14, playing the Wieniawski violin concerto. After completing (at his father’s insistence) a Bachelor of Commerce degree, Jose travelled to British Columbia to study with Viennese violin virtuoso, Paul Kling, who would become a life-long mentor and friend. Kling arranged for Jose to receive a full scholarship to attend U Vic where he was a winner of the University Concerto Competition and upon graduation was invited to join the Faculty String Quartet. In addition to his musical studies, Jose apprenticed with Horacio Pinero and Quentin Playfair in violin restoration at the Banff Centre for the Arts.
A seasoned orchestral musician, Jose has played with the Victoria, Thunder Bay, Kitchener, Nova Scotia and New Brunswick Symphony Orchestras. He has also served as an adjunct instructor of violin at Lakehead University. Jose is the first violinist of the Artelli String Quartet. This summer the quartet recorded the complete string quartets of William Miller for the Canadian Music Centre.
Can you share a memorable performance moment that still resonates with you today? Performing the Mendelssohn concerto with my professor in the Concertmaster Chair
If you could perform in any concert hall around the world, which one would it be? Vienna Konzerthaus
Who is your favorite composer, and what piece of theirs do you love playing the most? I love the Prokofiev Violin Sonatas and the Ravel Piano Concerto.
Can you share a funny story from a past performance?
When my brother and I played our first piano duet in recital, my brother started it in the wrong key to our teacher’s amazement, without skipping a beat, I adjusted- sibling telepathy!
What is your favourite GSO memory? Playing Dvorak symphony 9 under Adam Johnson in 2019, before he was Music Director here.
Do you play another instrument or is there one you wished you could play? Drums
Favourite travel destination or place to visit? Cremona and Vienna
What is the best thing about being a member of Guelph Symphony? The incredible sense of community!
If you couldn’t be a musician, what would you want to be? An arborist
Margaret Zak
Assistant Concertmaster
Assistant Concertmaster
Margaret Zak is a violinist with the Guelph Symphony Orchestra for the last 25 years, since the beginning of the orchestra. She lives in Guelph, Ontario with her family for the last 31 years. She has been a musician and music teacher with the Guelph School of Music since inception. Margaret graduated with a Masters in music education in violin performance, in Poland. She has been playing and teaching for over 46 years, first in Wroclaw, Poland, and then in Guelph, Ontario. Margaret enjoys teaching, playing, traveling the world, and spending precious time with her grandkids.
What inspired you to pick up your instrument for the first time?
My parents, who enrolled me at the music school, and after the entrance exam, the examiners decided to place me in the violin program. Additionally, my first teacher inspired me, by showing me the beauty of the instrument, and then I forever fell in love with the violin.
Can you share a memorable performance moment that still resonates with you today?
I played for the first visit of the Pope John Paul II, in Wroclaw, Poland, with the university symphony orchestra.
How do you prepare mentally and physically before a big concert?
Every big concert requires lots of practice and lots of fresh enthusiasm, without a mechanical or routine approach.
What is the most challenging piece of music you've ever performed?
Tchaikovsky's violin concerto in D major. The piece includes everything that a violin can do.
If you could perform in any concert hall around the world, which one would it be and why?
Konzerthaus in Vienna, Austria, in their Great Hall. It is a beautiful setting, and with a long tradition.
Who is your favorite composer, and what piece of theirs do you love playing the most?
Obviously I love Bach, his sonatas and partitas for violin solo, but there are many other composers, too.
What is one piece of advice you would give to aspiring musicians?
Practice, practice, practice, and be patient because talent is only 10%, and the rest belongs to hard work.
Can you share a funny or unexpected backstage story from a past performance?
I remember a long time ago, one soloist so dramatically finished his piece that his bow flew away into the musicians and everyone tried to catch it, as it is very precious piece of the instrument to musicians.
What role does collaboration play in your musical life, and how has it enriched your experiences?
This is always a very precious experience, which enriches yourself, and those for whom and with whom music is played, whether in a due, trio, quartet, or in an orchestra.
How do you approach interpreting a new piece of music for the first time?
At first, I do not try to listen to any other interpretation and attempt to play the piece myself to the best of my knowledge.
What non-musical hobbies or interests do you have that influence or inspire your musicality?
Hiking and nature, and the harmony between the activity and the setting. This calms you and boosts your batteries.
If you could have a dinner party with any musician, living or deceased, who would they be and why?
David Oistrakh, who was a very talented violinist representing the old musical tradition of playing the instrument.
What do you think is the most rewarding aspect of being part of an orchestra?
Bringing famous musical pieces to life, impossible without an orchestra, and also bringing many fantastic young soloists.
What is your favourite GSO memory?
I really loved the concerts in the Basilica of Our Lady Immaculate in Guelph.
Do you play another instrument or is there one you wished you could play?
I play Piano as well.
Do you have a current SideQuest?
Growing vegetables and flowers in my garden and cooking new dishes.
Favourite travel destination or place to visit?
Always Poland to visit my grandkids.
What is the best thing about being a member of Guelph Symphony?
Playing all genre of the music with fantastic colleagues in the Guelph community.
If you couldn’t be a musician, what would you want to do?
I would be a doctor, because I had been admitted to the medical program at university.
Carol Sammut
First Violin
First Violin
As a founding member of the GSO, this orchestra has provided many wonderful memories over the years. These include, special friendships, personal musical growth and a strong sense of community. My musical journey began in Owen Sound, when my grade 6 teacher started a small strings group. I chose the violin, not knowing at the time that my maternal grandfather played. My musical journey continued throughout university and beyond. I performed in many groups and became a school music teacher, having the privilege to teach hundreds of students. The best thing about being a member of the GSO is seeing how far we have come throughout the past 25 years! Our repertoire continues to challenge us, our audiences are inspired and supportive, we collaborate with a variety of groups and above all,
I have the best colleagues!
Paul Macnaughton
First violin
First violin
Paul is a highly experienced orchestral musician who joined the Guelph Symphony in 2006. In addition to earning his music degree at the University of Western Ontario, Paul studied with renowned violinist Joseph Gingold at Indiana University.
Paul made his debut at 16 playing Mendelssohn concerto with the KW Youth Orchestra. At this time, he also secured a position in the KW Symphony. Recent highlights include a performance of Brahms concerto with KW Community Orchestra.
As an avid chamber musician and violin teacher, Paul has been regularly featured in recital at the KW Chamber Society. Recently, as part of the Artelli Quartet, he recorded the complete string quartets of William Miller for the Canadian Music Centre. Paul has four children and enjoys busking downtown.
What inspired you to pick up your instrument for the first time, and how has your journey evolved since then?
I heard a boy in the neighbourhood play violin and I wanted to try. My mom initially said no, but I was persistent.
What is one piece of advice you would give to aspiring musicians?
You will meet a lot of interesting people, have interesting experiences. If you work hard and nurture your love of music, you will succeed.
What do you think is the most rewarding aspect of being part of an orchestra?
To be amongst other skilled colleagues who are passionate about performance is always inspiring.
What is your favourite GSO memory?
Playing for 2,000 people who were singing along with Choir, Choir, Choir at the 40th anniversary of Hillside .
Do you have a current SideQuest?
Composing music and I am trying to learn more about pedagogy.
Favourite travel destination or place to visit? Vancouver
What is the best thing about being a member of Guelph Symphony?
The positive environment, the beautiful performance venues, the high calibre of the concerts and contributing to the cultural life of Guelph.
If you couldn’t be a musician, what would you want to do? Baseball coach
Yonhee Chang
First Violin
First Violin
Yonhee Chang earned a Master of Music degree in Violin Performance from the San Francisco Conservatory of Music, where she studied with Ian Swensen. Born in Seoul, she received both Bachelor’s and Master’s degrees from Yonsei University. She won the Night of Concertos Competition and made her solo debut. She was named "one of the New Musicians of 1992” by the Seoul Solisten. After performing with the Fairfax Symphony and Maryland Symphony in US from 2000 to 2005, she immigrated to Canada, where she performed with the Kitchener-Waterloo Symphony from 2006 to 2009 and the Kitchener- Waterloo Chamber Orchestra. She also has appeared at The Music Room in Waterloo, presented by the Kitchener-Waterloo Chamber Music Society, and at the Rose Theatre with support from the Brampton Arts Council. Since 2013, she has been a member of the Guelph Symphony Orchestra.
What inspired you to pick up your instrument for the first time, and how has your journey evolved since then?
A friend inspired me to play violin and become a Orchestra member.
Can you share a memorable performance moment that still resonates with you today?
One of my most memorable experiences was winning my first concerto competition and performing Bruch’s Violin Concerto with an orchestra.
How do you prepare mentally and physically before a big concert?
I pray that I will truly enjoy making music. Physically, I rest well, stretch, and warm up carefully before going on stage.
What is the most challenging piece of music you've ever performed, and what did you learn from the experience?
Tchaikovsky Violin Concerto in D major. It reminds me that true success requires tireless perseverance.
If you could perform in any concert hall around the world, which one would it be and why?
Berlin Philharmonie-The Berlin Philharmonie is famous for its unique “vineyard-style” seating arrangement.
Who is your favorite composer, and what piece of theirs do you love playing the most?
Bach. I love playing Bach's Sonatas and Partitas for Solo Violin
How do you balance the demands of practice and performance with your personal life?
I make time for family, exercise, and rest. Maintaining balance helps me bring more energy and focus to my music.
What is one piece of advice you would give to aspiring musicians?
Work hard, be patient, and enjoy the journey.
Can you share a funny or unexpected backstage story from a past performance?
One of my funniest orchestra memories was arriving at rehearsal with only my music stand and realizing I had left my violin behind. I borrowed an extra instrument and played the rehearsal with the conductor right in front of me and Jose sitting beside me. Fortunately, everything worked out, and now I can laugh about it.
What role does collaboration play in your musical life, and how has it enriched your experiences?
Listening to others and working together to create harmony is an essential part of music, and it is equally important in my everyday life.
How do you approach interpreting a new piece of music for the first time?
I analyze how the main theme’s fundamental notes and rhythmic patterns develop throughout the piece.
If you could have a dinner party with any musician, living or deceased, who would they be and why?
Brahms. I imagine a dinner party with him would be as romantic and rich as his music.
What do you think is the most rewarding aspect of being part of an orchestra?
The most rewarding aspect is creating with others that I could never make alone.
What is your favourite GSO memory? When the GSO celebrated its 25th anniversary
Do you play another instrument or is there one you wished you could play? piano
Besides your musical career, what other passions or occupations do you pursue?Teaching
What is your favourite food/book/movie/guilty pleasure?
dumpling/Bible/adventure movie/ golfing
Do you have a current SideQuest? My current side quest is improving my golf game
Favourite travel destination or place to visit? Korea
What is the best thing about being a member of Guelph Symphony?
Sharing music with many talented musicians
If you couldn’t be a musician, what would you want to do?
I would probably be an athlete.
Roza Ushkanova
First Violin
First Violin
Roza Ushkanova is a classically trained violinist from Yakutia, Russia. Her artistic path has taken her from Moscow to China and now to Canada, where she shares her love of music with audiences as a soloist, chamber musician, and orchestral player. Honoured with the “International Peace Prize” for her violin work, Roza believes deeply in music as a way to connect people and build bridges between cultures. She lives in Guelph with her husband and two children, grateful to continue growing as an artist and member of her community.
What inspired you to pick up your instrument for the first time, and how has your journey evolved since then?
I began exploring sound at age two on the piano, guided by curiosity and a love of listening. At four, I began formal piano and music theory lessons, and in kindergarten I sang Yakut folk songs with a folk orchestra. At six, I was admitted to the Higher School of Music (an audition-based school for gifted children), where I discovered the violin and fell in love with its voice, hearing something that could not be.
Can you share a memorable performance moment that still resonates with you today?
It’s hard to choose just one moment. Playing music with colleagues and friends has always felt like home to me, especially growing up in that environment. After moving to Canada, my first rehearsal with the orchestra instantly gave me that same feeling, a sense of belonging I will always remember.
How do you prepare mentally and physically before a big concert?
It all depends, but preparation for me is about stamina, both mental and physical. I try my best to build endurance in practice, stay physically relaxed, and take quiet moments before starting a new sound to breathe, focus, and trust my preparation. This is always my intention, but live performance is live performance.
What is the most challenging piece of music you've ever performed, and what did you learn from the experience?
Technically, many works are challenging, but the hardest moments come when life feels heavy and you must still perform. Learning to move forward one step at a time has taught me resilience and trust in preparation, and to feel the joy of being able to do what I love alongside my family and friends.
If you could perform in any concert hall around the world, which one would it be and why?
Anywhere in this cosmos (music has no borders). Discovering Canada still lies ahead, with many places and audiences to explore. A hall is not always just a hall, it becomes meaningful through the people, the music, and the feeling of connection.
Who is your favorite composer, and what piece of theirs do you love playing the most?
It depends, but most of the time I return to Bach. His music always seems to put everything in the right place.
How do you balance the demands of practice and performance with your personal life?
I try to connect them closely because there is no one without the other. Music is part of my personal life, and my personal life gives meaning to my music. Finding balance means allowing both to support each other.
What is one piece of advice you would give to aspiring musicians?
Be yourself, stay curious, and trust your journey.
Can you share a funny or unexpected backstage story from a past performance?
Too many to choose just one! I may have to break them down and share a few stories on social media someday.
What role does collaboration play in your musical life, and how has it enriched your experiences?
Collaboration feels like a mini life each time, every project has its own journey and always finds a way to enrich my musical and personal experience.
How do you approach interpreting a new piece of music for the first time?
I try to form a strong first impression of a new piece while reading it carefully and accurately. From there, I build understanding step by step. I also love discussing music with colleagues, as their perspectives often open new ideas and deepen my interpretation.
What non-musical hobbies or interests do you have that influence or inspire your musicality?
At the moment, life itself inspires my musicality, parenting, the life of an artist, and the experience of being an immigrant. These responsibilities keep me practical and grounded, and that perspective shapes how I approach music. I also love sewing, and I look forward to having more time for it in the future.
If you could have a dinner party with any musician, living or deceased, who would they be and why?
I feel fortunate to say that I already have with my colleagues at the Guelph Symphony Orchestra. Sharing meals, conversations, and music with fellow musicians is something I truly value and never take for granted.
What do you think is the most rewarding aspect of being part of an orchestra?
The sense of community and support. Being part of an orchestra means sharing responsibility, listening to one another, and creating something together that is greater than any individual.
What is your favourite GSO memory?
There are so many wonderful memories, but I’ll choose the most recent rehearsal and concert. Each one brings new moments of connection, growth, and shared energy that remind me why I love being part of GSO.
Do you play another instrument or is there one you wished you could play?
I like to think of myself as a violinist with a piano background and a bit of a guitar romance. Each instrument brings its own colour, and I enjoy exploring their different voices.
Besides your musical career, what other passions or occupations do you pursue?
I would say languages. It takes time for me to learn each one, but they help me connect with people and understand different cultures. Anything that helps communication feels like a true passion of mine.
Do you have a current SideQuest?
Improving my stamina and consistency, both in music and in daily life.
Favourite travel destination or place to visit?
I love places with nature for long walks, fresh air, and quiet moments to reflect.
What is the best thing about being a member of Guelph Symphony?
The people, the sense of community, support, and shared purpose.
If you couldn’t be a musician, what would you want to do?
Something connected to people and communication...
Instagram @roza.ushkanova.violin
Jef ten Kortenaar
First Violin
First Violin
Jef began his musical journey in grade three when he became a student and chorister at St Michael's Choir School in Toronto. By grade five he was already earning money singing weddings and funerals throughout the GTA as a reliable alto in small ensembles. While weddings paid twice as much, funerals had the advantage of getting off school on a weekday. It was also in grade five that he started taking violin lessons at the school with Elizabeth Tomosvary, a Hungarian refugee and student of Jeno Hubay at the Franz Liszt Academy in Budapest. After starting his professional career as a violinist he formed the Emperor Quartet, an ensemble that has gone on to play for Kings, Queens, Presidents, Prime Ministers and others that could be held accountable for the state of the world that we find ourselves in.
What inspired you to pick up your instrument for the first time, and how has your journey evolved since then?
To escape the rigorous regimen of piano practice that my mother, an avid amateur pianist, imposed on me in my youth.
Can you share a memorable performance moment that still resonates with you today?
Hearing Joe Venuti perform at a jazz club in Toronto that I went to on Queen Street with my best friend when we were fourteen is still a vivid memory for me. Thankfully, we were tall for our age and got in without trouble.
What non-musical hobbies or interests do you have that influence or inspire your musicality?
I love art history and enjoy lining up art historical developments with music history.
Elayne Ras
Principal Second
Principal Second
Elayne began Suzuki violin lessons at age 11 at the first Suzuki school in Toronto, after taking piano lessons with since age 5. Degrees in Music Performance & Psychology from the University of Western Ontario followed, and she became a Suzuki violin Teacher Trainer in 2002. She also has been a clinician and adjudicator for numerous Suzuki workshops and institutes in Canada and the US.
Elayne freelances around Southwestern Ontario, and toured China as a member of the Ontario Festival Symphony Orchestra in 2012. She completed a Certificate in Applied Positive Psychology in 2018.
In over 25 years in Goderich she taught violin and conducted the local community band. Locally, she taught with SSSG for 14 years, including 12 years as conductor of beginning orchestras. Now teaching violin and viola privately in Guelph, and part-time with ESM in Etobicoke.
What inspired you to pick up your instrument for the first time, and how has your journey evolved since then?
I had the opportunity to try violin in grade 5 at school in Toronto, loved it from the start, and begged for lessons! Luckily for me there was a teacher just a block away from us, so I started lessons the following year and never looked back!
Can you share a memorable performance moment that still resonates with you today?
Probably the most memorable was playing with my students in a quartet for a wedding that started at 6AM!! We started at 5:30AM when the sun was just coming up, and it was a magical experience.
What role does collaboration play in your musical life, and how has it enriched your experiences?
There is nothing quite like playing in ensembles and orchestras! Especially as a 2nd violin in the middle of the orchestra, where there is wonderful sound enveloping us on all sides.
Besides your musical career, what other passions or occupations do you pursue?
I have always enjoyed "living history" at pioneer villages, and I have visited/worked at/volunteered at quite a few, where my specialties are the early skills of spinning, dyeing wool, and candle making.
What is the best thing about being a member of Guelph Symphony?
The community aspect of not only playing, but performing for the audiences, and collaborating with the conductor and guest artists. I freelance quite a bit, which is also wonderful, but there is something special in being a core member of the GSO and participating in almost every event!
https://www.elayneras.ca
Jeanne Biessen
Second Violin
Second Violin
Music was always there for Jeanne. Born and raised in the Netherlands Jeanne has always been surrounded by the arts, and as a third generation classical musician, music was not a choice, it was a calling.
Violin was the instrument, and after her studies in Amsterdam Jeanne has been very happily playing and teaching all over Europe , in every art discipline and music style you can think of, for the last 30 years.
But now ? Canada is the new musical stage to conquer, and as a teacher, chamber music coach and orchestra member of the GSO, a beautiful new musical road lies ahead !
What inspired you to pick up your instrument for the first time, and how has your journey evolved since then?
My Grandfather was a conductor,my father was an orchestra flute player, so from very early on I knew there would be an instrument in my life, music was all around all day long in our house. When I was six, I wanted a violin, which came when I was eight, because we had to wait until I was tall enough for the smallest instrument......but when I had it, there was no stopping me !
Can you share a memorable performance moment that still resonates with you today?
In 1994, I was a member of the Dutch National Youth Orchestra. We had a performance, in the Concertgebouw Amsterdam with Shostakovich 7th Symphony, the Leningrad, that was so intense, and so loud, that when it was over, the audience was so intimidated with the experience , they forgot to applaud. To this day, that 15 second time frame before they erupted, is still the longest deafening intense silence I’ve ever heard in my life.
If you could perform in any concert hall around the world, which one would it be and why?
The outside Roman opera amphi theatre in Verona Italy , with a nice Puccini opera ! On a summers night while all the audience is singing , eating and drinking along!
Who is your favorite composer, and what piece of theirs do you love playing the most?
No favourites, just people who always seem to be there.
Stravinsky ( Sacre du Printemps ) , Ravel ( la Valse) , Bach ( St Matthew Passion) , Tchaikovsky ( any ballet ) and there is always some “composer of the week “ that I am crazy about .
What is one piece of advice you would give to aspiring musicians?
It took me so long to figure out that it is the most important to play like you, not like the “famous” musician or orchestra you think you need to sound like in order for people to want you. The best musician you can be is the one that you are.
Can you share a funny or unexpected backstage story from a past performance?
I was in a musical theatre production where they thought it was wise to have me as a violinist do 3 wardrobe changes in under 30 seconds all around the theatre. One of which, I kid you not, was a wardrobe change into a hideous bridal dress ,on a bail of hay, INBETWEEN TWO LIVE CAMELS, who kept on staring at me stinking up the place. The things you do for art sometimes....
What non-musical hobbies or interests do you have that influence or inspire your musicality?
I like antiques, I look for modern paintings and am in love with Mid Century Modern Furniture and Art Deco lamps .
And still music, but I am an avid collector of 78 records and proud owner of two beautiful gramophones, so I can annoy the neighbours in the back yard on quiet summer nights by blaring 1930’s big band classics without the use of electricity.
If you could have a dinner party with any musician, living or deceased, who would they be and why?
Frank Zappa: because he was a genius and managed to make 12 tone serial poprock music relatively easy to listen to. And that is special.
Or
Spike Jones: because he was a genius in cartoon music and goofing off while being an exceptionally good musician and a very nice person, and if I ever win the lottery, I swear I will spend all my money on an orchestra that will keep his music alive.
What do you think is the most rewarding aspect of being part of an orchestra?
Breathing with group, bowing with the group, moving with the group. Sometimes you move and play as one instrument, and that is the most rewarding feeling of all.
What is your favourite GSO memory?
I have been in the GSO only for one year , so my memory now is the insanely warm welcome I got from the first second on. From each and everyone of you.
Do you play another instrument or is there one you wished you could play?
I would love to be able to pluck double bass in a background jazz trio, first because I love jazz, and double bass, but second because it would look ridiculous, I am so short I would need a step ladder.
Besides your musical career, what other passions or occupations do you pursue?
I like to cook. Not bake! I do not possess a sweet tooth, but I love the Mediterranean Kitchen , and since I got a top of the line Italian stove now, the culinary sky is the limit! Everybody welcome!
What is your favourite food/book/movie/guilty pleasure?
We make sure that outside is Canada, and that is great, but inside our house in the weekend, it is Europe. 5 o’clock Friday martinis, good cheeses ,nice olives, home made tapas , mezzedes and antipasti, decent wine and my favourite. A good Belgian triple beer. Paired with a nice conversation , the best and a pleasure. Not guilty about that at all.
If you couldn’t be a musician, what would you want to do?
I would love to be an investigative journalist, and annoy a wide variety of shady people with my incessant inquiries .
Alison Feuerwerker
Second Violin
Second Violin
As well as playing violin in the Guelph Symphony, I enjoy improvising and collaborating with other musicians in a variety of styles, especially while traveling. I have a great love for music from the African continent and am learning to play a variety of African instruments including the kora from West Africa and the mbira from Zimbabwe. I also play the djembe and enjoy facilitating drumming workshops and drum circles with participants of all ages, skill levels, and walks of life.
What inspired you to pick up your instrument for the first time, and how has your journey evolved since then?
When I was 11 I wanted to play the cello but didn't know how I would manage carrying it to and fro school. I decided the violin would be a better option and soon fell in love with it. I have been playing ever since.
Can you share a memorable performance moment that still resonates with you today?
Here's how I describe my most multicultural performance ever: "This Chinese/eastern European/ Canadian violinist once spent St Patrick's Day playing Irish fiddle tunes at a French bistro in Tanzania!"
How do you prepare mentally and physically before a big concert?
Before the first rehearsal my goal is to not only learn my own part but also to understand how it fits into the big picture. I try to listen to several different recordings and get to the point where I am living in the music and it has become part of me. Then rehearsal week and performance time becomes mostly about listening, living fully in each moment, and having a wonderful time!
What is the most challenging piece of music you've ever performed, and what did you learn from the experience?
One very challenging piece was Stravinsky's Rite of Spring, which the GSO performed a number of years ago. I learned to figure out "survival strategies" for dealing with very complex rhythms. I also learned that we could do something that at first felt impossible!
What is one piece of advice you would give to aspiring musicians?
Don't let anyone discourage you from being a musician if that is what you want to do!
What role does collaboration play in your musical life, and how has it enriched your experiences?
For me, playing music is all about collaboration. Music is meant to be played in community. One of the most wonderful aspects of playing in an orchestra is that we are all collaborating to create something powerful and beautiful, and when it works well the audience feels it too. I also have been fortunate to be able to play with musicians from a variety of countries and cultures, and am constantly learning.
What do you think is the most rewarding aspect of being part of an orchestra?
Really experiencing that whole is more than the sum of its parts. Creating something together that is beautiful and moves audiences.
Do you play another instrument or is there one you wished you could play?
I play djembe (a West African hand drum), kora (a West African instrument something like a harp), mbira (from Zimbabwe), piano (not well - though I played keyboards in a reggae band a few decades ago), and a bit of ukulele.
Besides your musical career, what other passions or occupations do you pursue?
I sometimes write memoir and creative non-fiction. I travel whenever possible, do a bit of gardening, and am committed to organizing for social justice and human rights.
Favourite travel destination or place to visit?
So far, everywhere I have been on the continent of Africa has been my favourite. I also love Ireland, Portugal, and France. But mostly I just love to travel!
What is the best thing about being a member of Guelph Symphony?
My colleagues! They are amazing musicians and lovely people. I also continue to be inspired by our music director, the guest conductors we have, and the many incredible soloists we get to play with.
If you couldn’t be a musician, what would you want to do?
Probably be a travel writer.
Janine Smith
Second Violin
Second Violin
Janine began studying the violin at the age of four under renowned Suzuki method teacher and co-founder of the Suzuki String School of Guelph, Daphne Hughes. By the age of 12 she was developing her ensemble work as section leader of the Concorde string ensemble and as a member of a professional string quartet. While ultimately choosing a career in Science, music had been profoundly ingrained. After a few years of sabbatical, Janine picked up her instrument and joined the Guelph Symphony Orchestra under the direction of Simon Irving in 2005. A dedicated member of the second violin section, Janine hopes to continue spreading – and receiving – the joy of music with the GSO.
Who is your favourite composer, and what piece of theirs do you love playing the most?
Max Bruch, Violin Concerto No. 1 in G minor
What is one piece of advice you would give to aspiring musicians?
When you play a passage, visualize something that the music might depict, like a flowing river with waterfalls, or big fluffy snowflakes falling in the forest. It will help with phrasing and dynamics.
How do you approach interpreting a new piece of music for the first time?
See above.
If you could have a dinner party with any musician, living or deceased, who would they be and why?
Mahler. I'd ask what how he was inspired to write Resurrection Symphony No. 2.
What is the best thing about being a member of Guelph Symphony?
Having everything come together at performance time.
If you couldn’t be a musician, what would you want to do?
I always wanted to be a doctor, and work for Doctors Without Borders, or be the only physician in a remote Northern community.
Dennis Chan
Second Violin
Second Violin
Veronica Kroess
Second Violin
Second Violin
Jay Samuel
Second Violin
Second Violin
Catherine Molina
Principal viola
Principal viola
Catherine Molina enjoys an exciting, multi-faceted career, as a performer, pedagogue, and arts administrator. Catherine is the Director of Open Strings Music Studio, a member the Royal Conservatory of Music’s College of Examiners and is an active member of the Association of Canadian Women Composers. In addition to maintaining a busy teaching studio, Catherine is the violist of the Artelli String Quartet and the newly formed flute, harp and viola trio, Petites Etoiles. Together with Jeff Enns, she is the co-Artistic Director of a Tuesday afternoon chamber series “Music at St Georges”.
Catherine is the principal violist with the Guelph Symphony Orchestra, having previously served as a principal player in the Thunder Bay Symphony and the Toronto Sinfonietta. Catherine is a performance graduate of the University of Toronto, the Royal Conservatory of Music and the Mozarteum in Salzburg, Austria.
What inspired you to pick up your instrument for the first time?
Hearing my grandfather, who played the violin by ear.
Can you share a memorable performance moment that still resonates with you today?
As a sixteen-year-old, I vividly recall playing Bartok’s Concerto for Orchestra and being captivated by its vibrant colours and intricate musical exchanges, showcasing the entire orchestra as a collective of soloists. This experience ignited my passion for pursuing a career in music.
Can you share a funny or unexpected backstage story from a past performance?
I remember having to sneak into the audience five minutes before curtain time to find a kind patron with 2.0 reading glasses for a musician who forgot theirs and couldn’t see their music.
If you could have a dinner party with any musician, living or deceased, who would they
be and why?
Missy Mazzoli is my favourite living composer! I love the way she blends classical orchestral sounds with relevant and powerful storytelling.
What is your favourite GSO memory?
Performing Mozart Requiem to a capacity crowd with the University of Guelph Symphonic Choir and Adam Johnson conducting!
Do you play another instrument? Yes, piano and violin
Do you have a current SideQuest? Pursuing my Licentiate in Composition
What is the best thing about being a member of Guelph Symphony?
The most remarkable part of being with the Guelph Symphony Orchestra is definitely the people- our talented musicians, exceptional conductor, Adam, Danny and our dedicated board, along with our enthusiastic audiences. Highlighting young artists and watching their careers, mentoring our incredible youth orchestra, the Kinderconcerts, our outreach concerts and of course, the Pop Up Orchestra Festival-this is what makes GSO special!!
Sheila Smyth
Viola
Viola
Sheila Smyth is a busy performer on violin, viola, and treble viola da gamba. She is
the principal violist of Opera York, and, as a freelancer on both modern and early instruments, has worked with many orchestras including Niagara Symphony, Talisker Players, Tafelmusik, Opera Atelier, Kitchener-Waterloo Symphony, and Windsor Symphony. Sheila has also performed in backup orchestras for various pop artists including Led Zeppelin and Smokey Robinson and in the onstage band for Canadian Idol.
An avid chamber musician, Sheila has appeared with many ensembles and series including Luminato, Kitchener-Waterloo Chamber Music Society, Musicians in Ordinary, Scaramella, and Toronto Early Music Centre’s Musically Speaking series. She is also a founding member of Concordo Music and The Cardinal Consort of Viols.
Sheila is an enthusiastic balcony gardener and enjoys hiking and obeying orders from the members of her non-human fur-family.
What inspired you to pick up your instrument for the first time, and how has your journey evolved since then?
I was chosen for “strings” in Grade six. The music teacher handed me a viola, (what is a viola??), and the rest is history!
Can you share a memorable performance moment that still resonates with you today?
Best musical experience: getting to play Beethoven under the baton of Kent Nagano with Tafelmusik. Next-best experience: hearing that GSO hired Adam Johnson, who was Kent Nagano's assistant, as our music director!
How do you prepare mentally and physically before a big concert?
I make sure I've had enough caffeine!
If you could perform in any concert hall around the world, which one would it be and why?
The Concertgebouw -- its great acoustics are legendary!
What is one piece of advice you would give to aspiring musicians?
Be kind and open to everyone; you’ll love music more that way.
Can you share a funny or unexpected backstage story from a past performance?
On one of my very first engagements as a professional musician, I got lost in the backstage labyrinths of Massey Hall right before the concert start! I did make it onstage in time, but it was way too close for comfort!! (I won’t mention the many times I’ve been lost backstage since! 🙂
What role does collaboration play in your musical life, and how has it enriched your experiences?
We LIVE for collaboration! Practising is a such lonely but necessary part of preparation, so getting together with colleagues to play chamber music or orchestral music is the true pleasure.
What non-musical hobbies or interests do you have that influence or inspire your musicality?
I think anything that gives the mind and body exercise and rest ultimately contributes to good music-making. I enjoy gardening on my balcony and hiking, and also play other instruments to challenge my brain.
What do you think is the most rewarding aspect of being part of an orchestra?
In orchestra, you’re one cog in a wonderful, collaborative music-making wheel! What the different instruments are contributing musically affects how you make your musical contribution.
What is your favourite GSO memory?
Not one single memory, but I love outreach concerts. They’re all unique!
Do you play another instrument or is there one you wished you could play?
Yes: besides viola and baroque viola, I play violin, both regular and baroque, and also the treble and tenor violas da gamba. I’d play more, but that’s enough for now!
If your favorite animal or pet could conduct the orchestra, how might their unique personality influence the music?
My cat would be that diva who lost her way in the aria but managed to drown out the orchestra anyway!
What is the best thing about being a member of Guelph Symphony?
Wonderful music-making in my own community!
If you couldn’t be a musician, what would you want to do?
I’d probably follow in the family tradition and be a schoolteacher. I do love teaching...
Sheila's website https://s3music.ca
Ron Dolynchuk
Viola
Viola
Born in Winnipeg Ron began violin studies at the age of five with John Konrad and received his ARCT diploma from the Royal Conservatory in 1960. Ron was a violinist with the National Youth Orchestra of Canada from its inaugural session in 1960 through 1962 and went on to play professionally with the Winnipeg Symphony for three seasons. While earning an MBA at Indiana University Ron studied at the Jacobs School of Music at Indiana University under the direction of Joseph Gingold. During his business career Ron was concert-master of the Oakville Symphony Orchestra, violinist with Symphony Hamilton, violist with the Kitchener- Waterloo Chamber Orchestra and continues to teach violin students privately. Ron has been a violist with the Guelph Symphony Orchestra since its inception in 2001. Ron has extensive musical theater orchestra experience and, now retired, enjoys playing with friends
What inspired you to pick up your instrument for the first time, and how has your journey evolved since then?
An uncle brought home a half size violin from Europe that he acquired in some way while serving in the Canadian forces during WWII. Being the only nephew It was given to me and at that time if you were given an instrument you had no choice but to take lessons and play the thing. That little 'skrypka' has been with me ever since and played by a number of my younger students.
Can you share a memorable performance moment that still resonates with you today?
One of the first works I played with the Winnipeg Symphony was Carl Orff's Carmina Burana. I sat near the back of the second violins directly in front of the percussion and tympani. No one talked about musician's ear plugs back then and my ears have been ringing ever since.
How do you prepare mentally and physically before a big concert?
Practice, practice , practice and KT tape for my shoulders.
What is the most challenging piece of music you've ever performed, and what did you learn from the experience?
The Rite of Spring and avoid Stravinsky if possible.
Who is your favorite composer, and what piece of theirs do you love playing the most?
One of my favorite composers is Antonin Dvorak. His music, orchestral and chamber is melodic, rhythmic and a delight to perform.
What is one piece of advice you would give to aspiring musicians?
Practice, practice, practice!!
What is the best thing about being a member of Guelph Symphony?
The Camaraderie amongst friends and musicians.
Linda Umbrico
Viola
Viola
Linda has played in the viola section of the Guelph Symphony Orchestra for over 15 years. She previously held orchestral positions with Orchestra London Canada and the Thunder Bay Symphony. An avid chamber musician, she is a member of Kawartha Trio (harp, clarinet and viola), and performs regularly in other small groups and chamber ensembles. A dedicated teacher, Linda taught music in the public school system for many years, and although recently retired, continues to teach music through the Sistema program in Toronto.
What inspired you to pick up your instrument for the first time, and how has your journey evolved since then?
I picked the viola for its rich warm sound. In the orchestra we often get beautiful expressive melodies in a range perfect for singing.
How do you prepare mentally and physically before a big concert?
Ideally, I like to be well rested before performing.
Who is your favourite composer, and what piece of theirs do you love playing the most?
I love playing Mozart and Brahms and Beethoven. My favourite piece is often the one I happen to be playing at the time.
How do you balance the demands of practice and performance with your personal life?
I feel that practising hard and performing is a great job. This work invigorates me, and keeps me happy. This helps me approach other areas of my life with optimism and positivity.
What is one piece of advice you would give to aspiring musicians?
I’ll tell you want my teacher always said: “practise!”
Can you share a funny or unexpected backstage story from a past performance?
What happens back stage, stays back stage.
What do you think is the most rewarding aspect of being part of an orchestra?
I love the feeling that we are all experiencing something bigger than the sum of our parts.
If you couldn’t be a musician, what would you want to do?
I would be a dancer. I love music and I love to move.
Marlena Tureski
Principal Cello
Principal Cello
Marlena Tureski, Saskatchewan native, began her professional studies at the Victoria Conservatory of Music with James Hunter in 1977, at the same time playing with the Victoria Symphony, the Canadian Chamber Orchestra, and studying with Zara Nelsova in Victoria, Vancouver and The Banff Centre. Masterclasses included those of Janos Starker and Leonard Rose. Marlena Tureski joined the Vancouver Symphony Orchestra as a tenured cellist in 1981, and continued playing with the VSO in various positions for over 25 years, as well as being a regular freelance member of the Seattle Symphony and Opera. Before moving to Guelph in 2009 she had been a freelance chamber musician in Chicago, performing with members of the Chicago Symphony, Chicago Chamber Musicians and the Lyric Opera. Though now retired she was always an avid cello teacher and orchestral coach, inspiring aspiring young professionals.
How do you prepare mentally and physically before a big concert?
For me, preparing mentally and physically for a concert has a few favourite and time-tested steps. There are of course the hours of preparation, both technical and musical, even if it's something I've played many times before. That's the actually the physical part. Mentally, I like to step away from the music altogether by gardening, painting orthodox icons and chopping ingredients for a good meal with fine sharp knives.
What is the most challenging piece of music you've ever performed, and what did you learn from the experience?
The most challenging piece of music I have performed? Mahler, Bruckner, Richard Strauss? Although those remain my favourites I think every musician has their nemeses and mine are Strauss's Radetzki March and Tchaikovsky's Romeo and Juliet! Yes, they terrify me!!
John Helmers
Cello
Cello
Keren Canche
Cello
Cello
When a little Mexican girl named Keren saw a cello, it was love at first sight. Within a few short years she was performing with the Children's National Symphony Orchestra in Mexico City. After her bachelors in music, she played in the Orquesta Filarmonica de Boca Del Rio, Veracruz, which was a dream come true. But it wasn't enough. She left for Canada to earn a masters in music, followed by a diploma in advanced studies in performance under Paul Marleyn at UOttawa. In 2025 Keren was invited back to Mexico to play as a distinguished soloist with the Campeche Symphony Orchestra. Meanwhile in Canada, full time work as a performer, arranger, and composer has brought her to Fergus, Ontario, and membership in the GSO brings her regularly to Guelph. Keren IS a cellist, and she loves playing for you!
Stephanie Lai
Cello
Cello
I began my cello studies at the age of 4 with Ann Vallentyne in Hamilton, Ontario, and went through the Suzuki program in my childhood. I was introduced to chamber music young— even playing in a little cello quartet with my two of my best friends (to this day). I continued to play in youth orchestras into my teens, then took my studies to Wilfrid Laurier University. I took a break from the cello when I began my professional career in industries that weren’t the arts (communications, publishing, and pharma). The opportunity to join the GSO came when I moved to Guelph, and I have enjoyed this experience immensely.
Do you play another instrument or is there one you wished you could play?
The piano! I wouldn’t have to carry it everywhere, haha
What is your favourite food/book/movie/guilty pleasure?
You can usually find me entrenched in a thriller or fantasy series.
What is the best thing about being a member of Guelph Symphony?
Giving back to the community I live in.
If you couldn’t be a musician, what would you want to do?
I love my day job. I’d continue to do that.
Mac Vanduzer
Principal Bass (on leave)
Principal Bass (on leave)
John 'Mac' VanDuzer started playing bass at 13, and joined the Oakville Symphony as a recipient of their Young Artists award in 2012. He attended the University of Toronto where he obtained an undergraduate degree in double bass performance, followed by a Masters of Music from the Manhattan School of Music. Mac joined the Guelph Symphony Orchestra in 2022 as the Principal Bassist. He is also a regular member with the Oakville Symphony, Ontario Philharmonic, and the Niagara Symphony, and a frequent guest with the Toronto Artist Symphony and Tapestry Opera.
In 2025 he became a sessional teacher at the University of Guelph, and is passionate about private music teaching.
A memorable experience
As a part of the National Youth Orchestra of Canada, during our 2019 tour of Spain, one of our final shows was playing in the middle of historic Alhambra. The history there was incredible to be a part of, and the community around music there was something I had never seen before. Our performance was only advertised by a sign placed outside the venue 2 hours before the show, and yet the audience was entirely full of enthusiastic music fans of all ages. The whole thing was an experience I will never forget.
Performance preparation
Mental preparation can be a challenging routine for musicians to establish, particularly younger players. Through years of trying different strategies, whether intentionally or not, I have discovered that it is all about the people I can surround myself with prior to the show. Nothing sets my mind right for a performance like being around the most supportive people I have in the hours or days leading to the concert, whether it is my unendingly supportive parents, or my amazing partner. People have many strategies and routines around setting themselves up for success, but for me, it's just being around the people I love.
What is the most rewarding part of being in an orchestra?
Being in an orchestra exposes you to a wealth of experiences that you simply do not get as a solo act, or even in other career paths. The fellowship amongst musicians, who are there for their love of music and sharing that love with the other players in the orchestra, can immediately be felt once the baton drops and the music begins. When that is combined with a passionate (yet fair) musical director, like we are so fortunate to have in Adam Johnson, the group can often achieve new heights. I am so thankful to be a part of this group!
Mac is on a one year leave in 2026-27, having won the role of Principal Bass in the Thunder Bay Symphony!
Ralph Blackman
Double Bass
Double Bass
Ralph’s musical studies began at an early age starting on piano and violin, switching to cello at age 5 before falling in love with the double bass at 16. Still in High School, Ralph became Associate Principal double bass in the Regina symphony. Professional music studies continued in New York and Vancouver. Ralph is an alumnus of the National Youth Orchestra and subbed with various professional orchestras before Seminary at Salisbury in England took precedence and he was ordained an Anglican Priest. He has continued to play Bass throughout his ministry, as Principal Bass and soloist with the B.C. Sinfonietta, with the Tacoma Symphony and Opera orchestras, as bassist for Schubert’s “Trout” quintet with Chicago Symphony players (twice) and in duo performances with professional cellist and dearly beloved spouse (who sold his cello when they got married!), Marlena Tureski.
What inspired you to pick up your instrument for the first time, and how has your journey evolved since then?
It was the family business -- everyone in my family, parents and 6 kids, played string instruments
Can you share a memorable performance moment that still resonates with you today?
Playing in the Vancouver Symphony when the UBC Chan Centre concert hall first opened.
How do you prepare mentally and physically before a big concert?
Practice, practice, and oh, practice!
What is the most challenging piece of music you've ever performed, and what did you learn from the experience?
Too many from Richard Strauss Tone Poems to Shostakovich symphonies ... Bass is tough to play, so just have fun.
If you could perform in any concert hall around the world, which one would it be and why?
Vienna would be fun ... all expenses paid of course.
Who is your favorite composer, and what piece of theirs do you love playing the most?
I don't have one favourite, but I have a sympathetic place for Ralph (pronounced "Rafe") Vaughan Williams as I was named after him. Fantasia on a Theme by Thomas Tallis is wonderful, as are his symphonies like the Sea Symphony.
How do you balance the demands of practice and performance with your personal life?
It has been part of my professional and personal life forever. Just like breathing.
What is one piece of advice you would give to aspiring musicians?
Make sure you train for a side career that pays the bills!
Daejun Kang
Double Bass
Double Bass
Daejun Kang is a double bassist currently performing as a freelance musician in Canada. He is a member of the Guelph Symphony Orchestra and Korean Canadian Stmphony Orchestra. Kang began his orchestral training as a member of the Toronto Symphony Youth Orchestra from 2008 to 2011. He later attended the Wabass Music Festival and participated for several years in the Orford Music Festival with scholarships.
He completed his undergraduate studies at Korea National University of Arts and earned his graduate degree from the University of Ottawa. In 2021, he was selected for the National Academy Orchestra of Canada under Boris Brott and also participated in Jeunes Virtuoses de Montréal under Denis Brott.
What is one piece of advice you would give to aspiring musicians?
Everyone has different learning speed. It’s hard to not compare yourself with others but you have to focus on your own race.
Esther Choi
Principal Flute
Principal Flute
Born in Tokyo, and raised in Toronto, flautist Esther Choi began her flute studies at the Royal Conservatory of Music. She continued her musical education at the University of Toronto with Susan Hoeppner, then with Jeffrey Khaner in Philadelphia followed by her further education at the Peabody Conservatory of the Johns Hopkins University where she obtained both her Masters of Music degree and the Graduate Performance Diploma with Marina Piccinini. Ms. Choi has performed across Europe, Asia, and North America; notably venues including the Seoul Arts Center, the Smithsonian and Capitol Hill in Washington D.C. Ms. Choi has performed under the batons of many conductors including Helmuth Rilling, Sir Andrew Davis, Leon Fleischer, etc. She is currently a freelancer based in Toronto and is also an avid traveler, foodie and member of the Tea Guild of Canada.
What is one piece of advice you would give to aspiring musicians?
Play each note like it'll be your last; make it beautiful.
What role does collaboration play in your musical life, and how has it enriched your experiences?
To me,most performances are essentially chamber music; even when playing with orchestra. You have talented musicians with varying backgrounds & styles coming together to decide on what they want to communicate together and how to convince those who are listening of your decided interpretation / performance. Every collaboration is truly unique and the Japanese philosophy of "Ichigo ichie" applies which makes every performance a 'once in a lifetime' experience for both performers and audience.
Christoph Kessel
Flute/Piccolo
Flute/Piccolo
My musical journey began with flute studies with Thomas Kay, and continued with the Waterloo Regional Police Band, White Oaks Choral Society, Wellington Winds, K-W Philharmonic Choir, University of Guelph Symphony Orchestra and Choir. When I moved to Guelph I was in a wind quintet with Leslie Marshall (bassoon), Larry Moser (clarinet), Kristi Bos (oboe), Fred Webb (horn). We enjoyed having a group to play with and eventually expanded our repertoire to septets and nonets since we all had connections with other local musicians. Leslie reached out to Simon Irving with the idea of forming a small chamber orchestra. Simon embraced the idea and the Guelph Chamber Orchestra was formed, later to become the Guelph Symphony Orchestra.
What inspired you to pick up your instrument for the first time, and how has your journey evolved since then?
I was inspired by my Grade 7-8 instrumental and vocal music teachers. I began on the euphonium and tried several other wind and brass instruments before settling on the flute. I have also sung with several choirs. Music is about relationships: you and the instrument, the music, the composer, other musicians, and the audience. Whether playing chamber or orchestral music, or pub session craic, it's sharing that experience with people, that's music.
Can you share a memorable performance moment that still resonates with you today?
Our inaugural concert, March 4, 2001, preforming Brandenburg No. 4 with Jose Molina and Roseanne Warren.
Who is your favourite composer, and what piece of theirs do you love playing the most?
Favorite Composer: Richard Wagner. Favourite work: Tristan und Isolde
What is your favourite GSO memory?
Our concert with soprano, Isabel Bayrakdarian.
What is the best thing about being a member of Guelph Symphony?
The young guest artists who perform with us and seeing their international careers grow.
David Vanbiesbrouck
Principal Oboe
Principal Oboe
David Vanbiesbrouck began his journey with Guelph Symphony in 2013 and played second oboe for many concerts during this time. In 2017, he moved to Guelph and joined the orchestra as Principal Oboe. In 2021, David performed the Marcello oboe concerto with GSO.
David keeps a busy freelance schedule on the oboe and English Horn and has also performed with Toronto Symphony, Kitchener Waterloo Symphony, London Symphonia, Niagara Symphony and Windsor Symphony.
David is a graduate of Wilfrid Laurier’s music program and studied with Jim Mason and Graham Mackenzie. His first oboe teacher and inspiring mentor was Shelly Heron. David maintains a private teaching studio and sells a thousand+ oboe reeds internationally every year through Oboerific Reeds. He currently plays a Yamaha 841 Duet+ oboe.
What inspired you to pick up your instrument for the first time, and how has your journey evolved since then?
I was home sick from high school in the early days of YouTube, and stumbled upon a video of Heinz Holliger performing the Mozart Oboe Concerto. It was kind of like how I imagine discovering fire would’ve been for early humans — it changed my life and instantly became a force drawing me in a completely new direction. I feel very fortunate that I found my musical voice through the oboe.
What role does collaboration play in your musical life, and how has it enriched your experiences?
Chamber music is one of the joys and advantages of playing classical music. In 2024, I was 1/3 of a trio with piano and viola (Merkwerdig Trio) and learned and performed Loeffler’s 2 Rhapsodies. In 2025, I joined a string trio and performed Mozart’s and James Rolfe’s Oboe Quartet, and Jean Francaix’s English Horn Quartet. This year I’m excited to play the Mullikin Concerto and Bill Douglas sonatas alongside pianist Beth Ann De Sousa
How do you approach interpreting a new piece of music for the first time?
Aside from studying the conductor’s score and understanding how my individual part fits into it, I rely largely on listening to many recordings from a variety of orchestras to understand how the piece can be interpreted so differently. Weeks leading up to the rehearsals I increase their rotation in my playlists to let the music settle and permeate. I think this allows me to be “off the page” as much as possible for the performance.
What is your favourite GSO memory?
There are many to draw upon, but most involve performances at the Basilica of Our Lady, namely the season opener of 2024-2025 when we played the Firebird Suite by Stravinsky. Something about the reverence of the wide open space adorned with stained glass and marble provokes our orchestra to create an exceptional sound.
Besides your musical career, what other passions or occupations do you pursue?
I’m a bit of a serial hobbyist, always dabbling and collecting new passions. Oil painting, running, and film photography all check the right boxes for downtime activities.
Do you have a current SideQuest?
As an oboist, my side quest remains the same everyday, to try and make the perfect oboe reed! I’ve gotten close a few times...
Favourite travel destination or place to visit?
The Azores islands of Portugal were eye opening for me. That trip was truly like stepping into a technicolor movie having only known black and white. I can’t recommend the island of St Miguel enough!
David's website:
https://www.oboerific.com
Paul Goeglein
Oboe
Oboe
Paul Goeglein is a highly sought-after performer and teacher in Ontario. He has performed with many orchestras including those of Toledo, Windsor, Nova Scotia, and Kitchener- Waterloo, among others. After completing a Bachelor's Degree at Indiana University, he moved to Canada in 2020 to begin graduate studies with Sarah Jeffrey of the Toronto Symphony Orchestra. Outside of the traditional symphonic orchestra, he has performed with organizations such as the Toronto International Film Festival (TIFF), Soundstreams, and the Esprit Orchestra. As a member of the GSO since 2022, he is proud to call the Guelph Symphony home. Paul lives in Toronto’s West End with his one-eared orange cat, Louie. He enjoys evenings at his reed desk, long hikes in Southern Ontario, and cooking new recipes for friends.
What inspired you to pick up your instrument for the first time, and how has your journey evolved since then?
I've played piano since age 7, and began clarinet in Grade 5 band. It wasn't until my Grandma Bev suggested I try the oboe (it was, according to her, more challenging and more interesting) that I truly found my musical voice. Over the years, I found a deep interest in the art of both orchestral playing and reed-making, and the rest is history!
Can you share a memorable performance moment that still resonates with you today?
During grad school at the Royal Conservatory, I was "cast" to play oboe in the school opera production of Handel's Rinaldo— on stage, in costume and make-up. Staging rehearsals and acting coaching were totally new to me (I had never been on stage in any capacity other than as a concert musician), but the process pushed me in unexpected ways, and I met wonderful friends during the show.
What is one piece of advice you would give to aspiring musicians?
Listen as much as you can to both live music and recordings! Find what inspires you; listen to other instruments, other styles/genres, and always listen to singers. Staying inspired through listening builds your identity as a musician.
What role does collaboration play in your musical life, and how has it enriched your experiences?
Collaboration is a lot like friendships and relationships. Sometimes you hit it off with someone right away; other times, they're just not your person. Finding great collaborators is like finding great friends. Over time, you develop an understanding of one another and can communicate without words. Like in other aspects of life, learning to balance listening and understanding with self-expression and communication is key to great artistic collaboration.
What do you think is the most rewarding aspect of being part of an orchestra?
Being in an orchestra is a unique social experience. There aren't many places in modern society where a group of 40-80 humans collaborate and focus on a shared goal like we do in an orchestra. Performance and collaboration push us to be our best selves, and they show us the power of working hard as individuals to enjoy a shared outcome.
Cassie Nielsen
Principal Clarinet
Principal Clarinet
Cassie Nielsen is a clarinetist from Long Island, currently residing in Toronto. She obtained her bachelor of music at the University of Michigan School of Music, Theatre, and Dance and her Artist Diploma from the Glenn Gould School. Her primary teachers include Daniel Gilbert, Chad Burrow, and Joaquin Valdepeñas.
Cassie has enjoyed a multifaceted career as an orchestral musician, appearing in orchestras across Canada and the US. She served as Interim Second Clarinet in the Thunder Bay Symphony Orchestra in 2024, and since then has performed in the Baton Rouge Symphony Orchestra, the Windsor Symphony, the London Symphonia, and more. An avid teacher as well as performer, Cassie is on faculty at the Orrett Music Academy and the Kingsway School of Music. In her free time, Cassie enjoys knitting, camping, and reading.
What inspired you to pick up your instrument for the first time, and how has your journey evolved since then?
I wish that I had a more profound answer to this question, but the real reason I play the clarinet is because I was a huge fan of Squidward from Spongebob Squarepants as a kid. To this day, I still cite him as one of my major musical influences.
Who is your favourite composer, and what piece of theirs do you love playing the most?
Maurice Ravel! I love his music so much I named my cat after him. All of his pieces are fantastic, but Daphnis et Chloé is my favorite.
What do you think is the most rewarding aspect of being part of an orchestra?
The best aspect of being in an orchestra is having the opportunity to collaborate with other musicians. I am constantly inspired by my colleagues, and feel very fortunate to make music with them.
What is your favourite food/book/movie/guilty pleasure?
I love fantasy novels! My favorite series are A Song of Ice and Fire by George RR Martin and the Lord of the Rings by JRR Tolkien.
Do you have a current SideQuest?
I am currently knitting my third sweater!
Larry Moser
Clarinet
Clarinet
Larry Moser holds a Bachelor of Music from Western University, Bachelor of Education from London Teacher's College, Masters of Music (Woodwind Specialist) from Michigan State University. He taught High School music for 25 years, but retired early so that he could perform more. The Royal City Saxophone Quartet for 15 years was a great experience. Larry has been principal clarinet in the Guelph Symphony Orchestra since its inception. Currently he also play in the Wellington Winds Symphony, KW Chamber Orchestra as well as bassoon in the Cambridge Concert and the Wind Jammers.
Who is your favourite composer, and what piece of theirs do you love playing the most?
Mozart, Clarinet Concerto
What do you think is the most rewarding aspect of being part of an orchestra?
Playing together as a great unit.
Do you play another instrument or is there one you wished you could play?
I can play all the woodwinds, especially saxophone & bassoon.
Besides your musical career, what other passions or occupations do you pursue?
I love gardening, biking, skiing & travelling, especially with my wife.
Favourite travel destination or place to visit?
Canada, especially British Columbia, Quebec & Newfoundland.
Simion Ciobanu
Principal Bassoon
Principal Bassoon
Tony Snyder
Principal Horn
Principal Horn
Tony Snyder Studied music and education at the University of Western Ontario. After a successful career teaching Music, Science, Mathematics and Art, he has turned his attention to performing and can be heard in ensembles across Southern Ontario. After a successful audition for the Berlin Philharmonic, he won the principal horn spot for a performance of Brahms first symphony with the BE Phil under the direction of Sir Simon Rattle. Since then, he has sat as principal horn with orchestras in Seoul, New York, Raiding Austria and Budapest and has travelled with Canadian ensembles as a soloist on tours of Europe and China. When he is not performing on the horn Tony works in his shop at home making guitars and mutes for brass instruments. He continues teaching as an instrumental instructor at University of Guelph.
What inspired you to pick up your instrument for the first time, and how has your journey evolved since then?
On a trip to visit my Aunt and Uncle in Boston they took me to a performance of chamber music that featured Brahms' Horn Trio. I was hooked but unfortunately at school I was put in a string class. I chose to play Viola. My teacher made me switch to violin in Grade 8 so I could be Concertmaster. When I got to High School I chose a wind class and took up the Horn.
How do you prepare mentally and physically before a big concert?
A long slow warm with 2 goals. I aim to get the best sound with the least effort and to use up all my bad notes and get them out of the way.
Who is your favorite composer, and what piece of theirs do you love playing the most?
As I write this we are preparing Brahms 3rd Symphony, a truly glorious work, so today this is my favourite composer and piece. Next concert; Hector Berlioz, Harold in Italy...
What is one piece of advice you would give to aspiring musicians?
Relax and enjoy the music. It is impossible to make music sound effortless by working harder.
Can you share a funny or unexpected backstage story from a past performance?
I discovered that there is a balcony off of the backstage of the River Run. I stepped out with another horn player from our section and we played the call from the 1st movement of Beethoven's 7th symphony. We thought we were alone, but got unexpected cheers and applause from across the river.
What non-musical hobbies or interests do you have that influence or inspire your musicality?
I have a woodworking shop in my home that has been mostly occupied with making musical instruments.
What is your favourite GSO memory?
2 memories actually: Kevin Ramessar's performance of the Concierto de Aranjuez with the GSO on the Guitar I made for him, and Afendi Yusuf, a former student at my school, performing Mozart's Clarinet Concerto as GSO's concerto competition winner. He went on to win the principal chair in the Cleveland Orchestra.
Do you play another instrument or is there one you wished you could play?
I play guitar for enjoyment and relaxation. Wish I could play Tenor Sax.
What is the best thing about being a member of Guelph Symphony?
Everyone in the ensemble and the supporting team seems happy and proud to be a part of our Orchestra.
Kim Christensen
Horn
Horn
An accomplished horn player, Kim Christensen is a performance graduate of Wilfrid Laurier University. She advanced her orchestral training at the Glenn Gould School of Music. Her extensive performance career includes serving as the previous principal horn of the Calgary Civic Symphony under the direction of Rolf Bertsch and past member of both the Kitchener- Waterloo Symphony and the Niagara Symphony Orchestra.
Alongside performing, Kim has been teaching young musicians for the past 17 years as an instrumental music teacher. When she isn’t on stage or in the classroom, she manages her busiest and most rewarding role yet: being a proud mom to three wonderful kids!
What inspired you to pick up your instrument for the first time, and how has your journey evolved since then?
My high school music teacher, Mr. Mullen. I wanted to learn trumpet and he chose horn for me!
Can you share a memorable performance moment that still resonates with you today?
Yes! Playing principal horn for Mahler 2 with the Calgary Civic Symphony - what an experience and pleasure!
How do you balance the demands of practice and performance with your personal life?
Creating beautiful music with beautiful people is a HUGE bucket-filler for me. Knowing this keeps me excited to prepare for upcoming shows!
If your favourite animal or pet could conduct the orchestra, how might their unique personality influence the music?
My golden retriever, Reggie! He would bring TONS of energy and life to the program!
What is the best thing about being a member of Guelph Symphony?
The people!!!
Dylon Pastoor
Horn
Horn
Dylon is thrilled to make music with the Guelph Symphony Orchestra. A lifelong music enthusiast, he began studying in classical music and early music on the natural horn at Wilfrid Laurier University and Western University. Dylon is an active freelance musician in Southwestern Ontario, playing with orchestras, chamber ensembles, and pit bands. Getting to perform and collaborate with different people through the concert season is the highlight of his work.
What inspired you to pick up your instrument for the first time, and how has your journey evolved since then?
I fell in love with the sound of the French horn. I was impressed with what it could do (not what I could do at the time!), and how close it could mimic the emotions of the human voice. From there, after much practice, what I grew to love was playing and creating beautiful music with others.
How do you prepare mentally and physically before a big concert?
I try to keep to a “normal” routine. I expect to play the same way I can from my day to day practising, so no secret rituals. However, I stay away from salt and bigger meals before performances for the sake of my lips and being able to comfortably take deep breaths.
How do you balance the demands of practice and performance with your personal life?
This is the trickiest part of being a musician! It takes a lot of discipline to keep yourself wanting to sit down in your practise space. Finding ways to engage yourself and not fall into a rut with practising is difficult, but I find upcoming performances are enough encouragement. Setting aside a specific time everyday to create a routine, treating the time like you would another job.
Jerry Phillips
Horn
Horn
Jeryl has been with the GSO horn section since 2014. Her passion for the instrument began in her early teens, and over five decades of orchestral playing, has led to a lifelong dedication shaped by both musical appreciation and deep community.
The best part of being with the GSO is being able to come together with an incredible conductor to create inspiring music where previously, there were just notes on a page. Outside of the rehearsal hall, she enjoys social times with the many of the musicians, including the ever-popular dinners at the Red Papaya.
She enjoys close ties with Guelph, with her husband in the orchestra and her son, daughter, son-in-law and young granddaughter living here.
Can you share a memorable performance moment that still resonates with you today?
Her most memorable experience was playing Beethoven Ninth Symphony with a large orchestra and professional choir. The physical sensation of the full orchestra in front and the power of the choir directly behind, created an unforgettable harmonic “sandwich” of glorious sound!
Al Cannon
Principal Trumpet
Principal Trumpet
Al Cannon joined the GSO as Principal Trumpet in 2025. Cannon has performed with Vancouver Opera, the Vancouver Symphony Orchestra, Vancouver New Music, the Vancouver Metropolitan Orchestra, the Turning Point Ensemble, Chor Leoni Men’s Choir, and the Vancouver Chamber Choir, and served as a guest principal trumpet with many BC regional orchestras including the Prince George, Kamloops, and Okanagan Symphonies. Al’s brass students have gone on to training programs at Interlochen, Tanglewood, California Institute of the Arts, the University of British Columbia, the University of Toronto, the University of Victoria, and the Curtis Institute. He enjoys an active schedule as a freelance performer and educator, ensemble contractor, arranger, and adjudicator. Al also occasionally serves as a conductor for new music projects and orchestral and band ensembles across Canada.
What inspired you to pick up your instrument for the first time, and how has your journey evolved since then?
Both my parents are musicians, and they kindly ensured music has always been an integral part of my life. I've played trumpet since I was about 10 years old, as we had my dad's trumpet around the house.
What is the most challenging piece of music you've ever performed, and what did you learn from the experience?
I perform a lot of newly written music, as I enjoy the challenge of bringing to life new and time-relevant ideas! A few years ago I commissioned a trumpet and piano work from a friend, and that process was *difficult* - and extremely rewarding!
Who is your favourite composer, and what piece of theirs do you love playing the most?
Classically speaking, I am obsessed with Jean Sibelius' Symphony No. 5. It's such a wonderfully nostalgic and beautiful and enigmatic work of art, and I can listen to it over and over and over again and constantly learn and am enamoured by something new. Conducting this work is a bucket list item for me!
What role does collaboration play in your musical life, and how has it enriched your experiences?
Instrumental ensemble playing is entirely about collaboration - and collaboration without (or with often very few) words. The experience is very human and yet feels mystical or magical. I forget about time passing when I have the opportunity to collaborate through playing or conducting - for me it's the ultimate way to live in the moment.
Al's Website
https://www.xancannon.com
Dorothy Vreeswyk-Kidd
Trumpet
Trumpet
Dorothy Vreeswyk-Kidd is an accomplished trumpet player, educator and conductor. Dorothy graduated from Wilfrid Laurier University with an Honours Bachelor of Music. After graduation, Dorothy taught music and performed in Edmonton, Alberta for many years. Dorothy is currently Head of Music at John F Ross in Guelph and her bands and ensembles have won many awards and gold standards at Festivals throughout Ontario. She currently plays second trumpet with the Guelph Symphony Orchestra, is the sessional trumpet instructor at the University of Guelph and conducts the Cambridge Community Band and the Cambridge Jazz Band.
What inspired you to pick up your instrument for the first time, and how has your journey evolved since then?
I began playing trumpet in Grade 9 - a trumpet player always played for my church services and I loved the sound. I still love the sound of the trumpet and am so excited I get to play and make the same sound I heard many years ago.
How do you prepare mentally and physically before a big concert?
Lots and lots of practice. Any concert will go well if I am prepared.
What is the most challenging piece of music you've ever performed, and what did you learn from the experience?
Stravinsky Rite of Spring. It was my favourite piece during university and such a thrill to get a chance to play it.
What non-musical hobbies or interests do you have that influence or inspire your musicality?
I love to cook and I feel that cooking is a bit like music. You have the low notes (earthy flavours) that have to be balanced with the high notes (salt, sweet). I also love to cook with music blasting in the background!
What is your favourite GSO memory?
Playing with my late husband Graham in the bass section. Our kids would be sitting right at the front and Graham could keep an eye on them during the concert. It is such a fond memory - us making music together.
Do you play another instrument or is there one you wished you could play?
French horn. Love that sound!
What is the best thing about being a member of Guelph Symphony?
The wide variety of music I get to play and the great people I have met.
Andras Molnar
Trumpet
Trumpet
Andras Molnar studied music in Budapest Hungary in the renowned Franz Liszt Academy of Music. He played trumpet with the Hungarian Symphony, the Stuttgart Philharmoniker, the Hamilton Philharmonic, Calgary Philharmonic, Hannaford Street Siver Band, Aradia Baroque orchestra and the famous Tafelmusik orchestra of Toronto. Andras has travelled all over the world playing baroque trumpet including Europe, Asia, North and South America. Andras also enjoys teaching music.
What inspired you to pick up your instrument for the first time, and how has your journey evolved since then?
Always loved the sound of the trumpet
Can you share a memorable performance moment that still resonates with you today?
Verdi Requiem with the Guelph Symphony
How do you prepare mentally and physically before a big concert?
Practicing like my life depends on the next concert.
What is the most challenging piece of music you've ever performed, and what did you learn from the experience?
Handel Messiah and Bach Bb Mass on natural trumpet.
If you could perform in any concert hall around the world, which one would it be and why?
Franz Liszt concert hall, one of the best in the world, with the Guelph Symphony Orchestra
Who is your favorite composer, and what piece of theirs do you love playing the most?
Mozart Requiem
How do you balance the demands of practice and performance with your personal life?
Trumpet and my super nice wife are number one in my life.
What is one piece of advice you would give to aspiring musicians?
Listen to performances and practice, practice, practice!
Can you share a funny or unexpected backstage story from a past performance?
Played off stage trumpet for Beethoven Fidelio opera and somebody literally grabbed my instrument shouting
“ you can't play here -there is a show going on."
What role does collaboration play in your musical life, and how has it enriched your experiences?
Playing in my early years with accomplished musicians had a great impact on me.
What non-musical hobbies or interests do you have that influence or inspire your musicality?
Love travelling especially to Vienna, Budapest and Venice
If you could have a dinner party with any musician, living or deceased, who would they be and why?
I love talking to all musicians- they have such entertaining stories.
What is your favourite GSO memory? Playing with our great conductors
Besides your musical career, what other passions or occupations do you pursue? I love teaching music our young generation
What is your favourite food/book/movie/guilty pleasure? Cooking
If your favorite animal or pet could conduct the orchestra, how might their unique personality influence the music?
We can ask our lovely cat Bella to conduct one piece
What is the best thing about being a member of Guelph Symphony?
Level of playing and friendliness of the players
If you couldn’t be a musician, what would you want to do?
I would love to be an Italian race car driver
Bob Phillips
Principal Trombone
Principal Trombone
I have been a working musician in Ontario for over 50 years. This includes Symphony orchestras locally and internationally, Stratford theatre, Royal Alexander theatre, Roy Thomson hall and Banff School of Fine Arts. I'm currently performing/singing in a Swing band and many Military bands. The Royal Winter Fair and CNE have been regular engagements as well. Private teaching and small ensemble work continue to be a source of joy and fulfillment, including Rock, R&B and Funk, Dixieland and Jazz improvisation.
Orchestra work for theatre is also frequent, as are in-studio recording sessions. This summer I'll be flying to Japan to perform with the World Civic Orchestra. I'm enjoying being a new grandfather, father and husband and still find time to play pick-up hockey.
What inspired you to pick up your instrument for the first time, and how has your journey evolved since then?
My local community band was my beginning.
Can you share a memorable performance moment that still resonates with you today?
Singing at Roy Thomson Hall with Astronaut Chris Hadfield shortly after he returned from the ISS. We performed Space Oddity and the Tribute to the ISS. He's a very down-to-earth rocket scientist.
How do you prepare mentally and physically before a big concert?
I rehearse my difficult passages until they become part of my muscle memory and aim for proper pre-show rest and focus.
What is the most challenging piece of music you've ever performed, and what did you learn from the experience?
The GSO performed Stravinsky's Rite of Spring and the week of rehearsals and the show were like running a marathon a day for a week! Exhausting but thrilling.
If you could perform in any concert hall around the world, which one would it be and why?
I've visited the Sydney Opera house but would love to perform there someday.
Who is your favorite composer, and what piece of theirs do you love playing the most?
I thoroughly enjoy Gustav Holst's writing and use of brass. Brahms loved the brass section as well. The Planets has always been one of my favourites
What is one piece of advice you would give to aspiring musicians?
Marry someone with money.
Can you share a funny or unexpected backstage story from a past performance?
Meeting musical, arts and sports celebrities backstage is fun.. Chatting with Gordon Lightfoot in the wings at RTH was great. Exiting the ice at the ACC with the 48th Highlanders prior to a Maple Leafs game and watching the Tuba player's kilt come undone was quite revealing. Our military band once stood at attention for an hour at Queen's Park in scarlet wool tunics while the Queen inspected us. Learning how to faint was obligatory.
What non-musical hobbies or interests do you have that influence or inspire your musicality?
I play pickup hockey, another team effort like a musical ensemble. I enjoy hiking and camping in the outdoors to refresh myself.
If you could have a dinner party with any musician, living or deceased, who would they be and why?
I would love to meet George Gershwin and discuss from where he drew his inspiration.
What is your favourite GSO memory?
Performing The Planets and Rite of Spring.
Do you play another instrument or is there one you wished you could play?
I've always wanted to play the bagpipes as my heritage is very important to me.
What is your favourite food/book/movie/guilty pleasure?
My favourite foods so far were those I experienced in Italy.
What is the best thing about being a member of Guelph Symphony?
The wonderful feeling of contributing to a fine musical performance is like no other.
If you couldn’t be a musician, what would you want to do?
I believe I would enjoy being a professional athlete on a team.
Leila Mehkeri
Trombone
Trombone
I am from Aylmer, Quebec which is a town fairly close to Ottawa. My deep dive into trombone playing came when I auditioned for the Ottawa Youth Orchestra. There was a wonderful orchestral trombone player on the audition committee. So, because of this audition, I ended up taking lessons from him throughout high school. He taught me an immeasurable amount about playing a brass instrument through song and wind, making music, Gustav Mahler, and life in general. Afterwards I was lucky to have many other fantastic teachers who each set me up for success.
I later had the chance to play in the National Youth Orchestra of Canada and to study music at the Glenn Gould School in Toronto. Attending these two iconic Canadian music institutions was a watershed experience.
What inspired you to pick up your instrument for the first time, and how has your journey evolved since then?
My lifelong love of the trombone started because of a family vacation. We did not get home from this vacation until a few weeks into my grade 8 school year. I had signed up for a band class, but when I showed up (late), everyone had already chosen their instruments. The only instrument left was a trombone, which ended up being a great fit. It was like the instrument was waiting just for me!
What is one piece of advice you would give to aspiring musicians?
Just go for it. You won’t regret it.
What non-musical hobbies or interests do you have that influence or inspire your musicality?
Many people know that IRL I am not only a musician, but also a practicing lawyer. I was taught to embrace opportunities which would enable me to move beyond being the “owner- operator” of a particular instrument. Engaging in lifelong learning helps us connect with a broader world and community and, as you might expect, helps us to become better human beings and better musicians.
If you could have a dinner party with any musician, living or deceased, who would they be and why?
Nadia Boulanger. She conducted major symphony orchestras in the 1930s. She once famously said, “I’ve been a woman for a little over 50 years, and I’ve gotten over my initial astonishment.”
What is the best thing about being a member of Guelph Symphony?
There are so many great things about being in the GSO! It’s hard to just pick one thing. We have a fantastic corps of musicians who each possess a high level of musicianship. We are fortunate to have a wonderful and hard-working board of directors. We have great performances thanks to thoughtful, varied repertoire and top-notch guest artists. Finally, our kinder concerts and pop-up concerts are great occasions to engage with the community.
Allen Carter
Principal Tuba
Principal Tuba
Tubist, Allen (Al) Carter has over thirty years of experience as a professional musician. He is proud to be the conductor of the Guelph Symphony Youth Orchestra and as well as the principal tubist of the Guelph Symphony Orchestra. As busy as possible, he is also the principal tubist of the Brantford Symphony Orchestra and is first call for others, including the Toronto Concert Orchestra. Al has held principal tuba positions in the Kingston Symphony Orchestra and National Academy Orchestra and is a freelance musician in the Kitchener- Waterloo area and beyond.
What do you think is the most rewarding aspect of being part of an orchestra?
I love the communication between musicians who are sharing the performance: emoting, eye contact, attention to nuance, and a collective understanding and interpretation of a piece of music. There are few joys better than making art with friends and colleagues whom you love and respect.
What is your favourite GSO memory?
Playing Stravinsky's "Firebird" at the Basilica
Do you play another instrument or is there one you wished you could play?
I have always wanted to play the bassoon!
Richard Burrows
Principal Timpani
Principal Timpani
Richard Burrows is a distinguished percussionist known for dynamic performances and an innovative approach to contemporary classical music. With more than two decades of professional experience, he has become a respected leader in the percussion community, admired for versatility, technical precision, and dedication to expanding the art form. He is the director of percussion at the Don Wright Faculty of Music, Western University. Burrows is a founding member of the TorQ Percussion Quartet, which has toured internationally and collaborated with major orchestras including the Toronto Symphony and Orchestre Symphonique de Montréal. He is also a solo performer, educator, and Artistic Director of the Open Ears Festival, where he champions adventurous contemporary music. Through performances, recordings, and education initiatives, he continues to inspire musicians and audiences worldwide with passion and creativity.
What inspired you to pick up your instrument for the first time, and how has your journey evolved since then?
I grew up in a small railroad town outside of Ottawa which had a local drum and bugle corps. They would practice in the park and one time my buddies and I were playing near where they were practicing, and hey dared me to pick up one of the drums, so I did. I thought I was going to get in trouble, but instead I was invited to come out to a practice.
Can you share a memorable performance moment that still resonates with you today?
I performed at the 2006 Commonwealth Games with a percussion show called ScrapArtsMusic. Our feature concert was in the park and there were thousands of people in attendance. I'll never forget performing and they lit up the audience which caused them to scream in celebration. It was pure rock n' roll energy.
Who is your favourite composer, and what piece of theirs do you love playing the most?
Shostakovich. Symphony no 5 or 10 has epic percussion parts.
What is one piece of advice you would give to aspiring musicians?
Advice I often give freelancing musicians is the 2 out of 3 rule. You need 2 of good music, good money, and/or good people to make the gig worth your efforts.
If you could have a dinner party with any musician, living or deceased, who would they be and why?
I would love to have a dinner party with John Cage. I think he would have such an interesting perspective of all things including music.
What is your favourite GSO memory?
I quite enjoyed having an opportunity to perform the Planets. The Jupiter timpani part is particularly difficult and one of those excerpts you practice forever, but don't always get a chance to perform. It was a nice bucket list moment.
Favourite travel destination or place to visit? I'm a big fan of Thailand, and Italy.
If your favourite animal/pet could conduct the orchestra, how might their unique personality influence the music? We love pugs. They are such clowns, but super lazy. It would be hilarious to watch the orchestra start off with such energy, but then drag the tempo down to a snore by the end.
If you couldn’t be a musician, what would you want to do? Sommelier
Stephen Eelhart
Percussion
Percussion
Stephen is active as both a percussionist and timpanist in symphonic and chamber repertoire, theatre productions and historically informed performance practice. After finishing a bachelors degree in percussion at Wilfrid Laurier University, he continued his studies at the Koninklijk Conservatorium in The Hauge, Netherlands where he specialised in old music on authentic period instruments. Through his 24 years of work with ensembles in Netherlands, Belgium, France, Spain and Germany he grained valuable context behind much of the repertoire that we present in our concerts with the GSO. It was a with great pride that in 2025 Stephen joined the GSO, in the city of his birth, for is first concert after returning to Canada. It is wonderful to be back home in the beautiful city of Guelph.
What inspired you to pick up your instrument for the first time, and how has your journey evolved since then?
Like many percussionists, Stephen began as a drumset player. Through school music programmes and youth orchestras he soon after came to appreciate the richness of sounds found in larger ensembles and began to explore the world of classical modern percussion. As an extension to this path he then embarked a journey into the parchments of baroque timpani and percussion.
How do you prepare mentally and physically before a big concert?
Once all the instruments are checked and prepared for the stage, Stephen irons his concert shirt. It provides a moment calm focus for the upcoming performance that gives him the mental space to ensure all details have been considered and arranged.
Who is your favorite composer, and what piece of theirs do you love playing the most?
J.S. Bach: b- mass. Christoph Graupner: Gott sei uns gnädig. Carl Orff: Carmina Burana
If you couldn’t be a musician, what would you want to do?
Stephen may have missed his true calling in life: full time ski-bum.
Easton Page
Percussion
Percussion
Easton Page is a percussionist who developed his passion for performance through studying and playing throughout Southwestern Ontario. Earning a Bachelor of Arts from the University of Waterloo, Easton is the section lead of percussion with the Wellington Wind Symphony, and performs regularly with Guelph Symphony Orchestra, Stratford Symphony Orchestra, and Waterloo Chamber Players. Easton shares his love of music with many community-based ensembles such as the Kitchener-Waterloo Community Orchestra, Kitchener Musical Society Band, and Orchestra at UWaterloo. In addition to concert percussion, Easton also plays drumkit as a member of rock band Pretty To Think, who released their first studio EP in 2017.
What inspired you to pick up your instrument for the first time, and how has your journey evolved since then?
I was fascinated by, of all things, pipe band snare drumming as a child! I think though the thing that tipped me over the edge to pick up the sticks was watching the 1996 film ‘That Thing You Do’ - playing drums was what I wanted to be doing from that point on. My love of pipe band music hasn’t changed, though I’ve still never played a pipe snare
If you could perform in any concert hall around the world, which one would it be and why?
I love the sound of Walt Disney Concert Hall, home to the LA Phil - I’d love to have the privilege of stepping onstage in.
What is one piece of advice you would give to aspiring musicians?
Practice of course, but also learn from watching great musicians and how they do their work (go to concerts, and become best friends with YouTube!), network, and be present and professional from the moment you walk in to when you leave. Play well, but just as important, be a really great professional colleague to work with to leave a lasting positive impression!
What do you think is the most rewarding aspect of being part of an orchestra?
The collaboration and constant inspiration! As percussionists, we’re always searching for the right sounds and techniques to breathe life into the notes on the page; I’m constantly learning from my colleagues and from what the music demands, and that constant growth is so rewarding.
Nicole Chang
Principal Harp
Principal Harp
Nicole was born in and grew up in Portland, Oregon, where she began her harp studies at the age of 7. She completed her Bachelors in Harp Performance and Music Composition at University of Washington, and her Masters of Instrumental Performance at University of Toronto. She is the Principal Harpist of Guelph Symphony Orchestra and Toronto Pops Orchestra, the latter of which she also arranges for, as well as a member of the Petite Etoiles Trio. She is also a recording artist who has collaborated with composers such as Mark Choi and Christopher Getman, and singer Pernelle. She has a love of orchestral and ensemble playing, which carries into all of her performing and recording. When not making music, Nicole enjoys knitting, spinning yarn, playing video games, and spending time with her family.
How do you prepare mentally and physically before a big concert?
A lot of slow relaxed practice, combined with breathing and being really aware of myself physically. I also do reinforcement of difficult sections through specific drills as well as mental practice. It's also very important to sleep well!
Who is your favourite composer, and what piece of theirs do you love playing the most?
I love playing Ravel, he writes well for the harp and has incredible orchestration in his works. There's an incredible poignancy to his music. La Valse and Pavane pour une infante defunte are two of my favorites!
What is one piece of advice you would give to aspiring musicians?
It's okay to take breaks and experience the world around you. Along with generally being good for you mentally, those experiences shape you as a person, which in turn also affect your artistry, musicality, and approach to what you create.
What do you think is the most rewarding aspect of being part of an orchestra?
I love collaboration, so for me being in an orchestra is a giant collaboration to create something much larger than one person could do. There's so much incredible music and a sound that works with that many people, and to do it live and together creates an incredible experience as a performer.
What is your favourite food/book/movie/guilty pleasure?
I'm a huge Final Fantasy fan and even though I don't have as much time to play the games any more, I still keep up with the news and hop onto XIV to catch up on the story when there are major updates!
https://nwchangharp.ca/